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Rudolf de Crignis

SELECTED BIBLIOGRAPHY

SOLO EXHIBITION CATALOGS AND MONOGRAPHS

2013	Rudolf de Crignis New York 1985 – 2006. Santa Fe: Radius Books, 2013.
                Texts by Lawrence Rinder, Georg Imdahl, and Joseph Cunningham.
2009	Rudolf de Crignis: Grays and Blues. San Antonio: Lawrence Markey, 2009.
                Text by Rudolf de Crignis.
2008	Rudolf de Crignis – Paintings 1992 to 2006. New York: Peter Blum, 2008.
                Text by Linda Norden.
2007	Rudolf de Crignis: In Memoriam. Freiburg, Germany: Kunstraum Alexander Bürkle, 2007.
                Texts by Julia Galandi Pascual, Jens Peter Koerver, Rudolf de Crignis, Stefan Gronert, Susanne Bieri,
                Joseph Marioni, Stephan Baumkötter, Per Gjorstrup, Ingo Meller, Reinhard Ermen, Marcia Hafif,
                Michael Toenges, August Hoviele, John Zinsser, Helga and Paul Ege; CD by Roland Dahinden.
2006	Rudolf de Crignis: Surface. Bern: Schweizerische Nationalbibliothek, Graphische Sammlung,
                2006. Texts by Marie-Christine Doffey, Susanne Bieri, Robert Ryman, Suzan Frecon, Stefan Gronert,
                Gabrielle Boller, and Jens Peter Koerver.
2003	Rudolf de Crignis: 5 Paintings = 1 Work. Bonn: Kunstmuseum Bonn, 2003. Texts by Dieter Ronte
                and Jens Peter Koerver.
1999	Rudolf de Crignis, Friederike van Duiven, Christiane Rasch. Lüdenscheid,
                Germany: Kulturderzenat 1999. Text by Jens Peter Koerver.
1998	Rudolf de Crignis: One Painting. Aalst, Belgium: Galerij S65, 1998. Text by Sabine Müller.
1997	Rudolf de Crignis: Eight Paintings, Twenty-one Drawings, and a Table. New York: Stark Gallery, 1997.
                Text by Gregory Volk.
1996	La Lumière de la peinture / The Light of Painting. Demigny, France: Centre d'art contemporain
                de Demigny, 1996. Text by Christian Besson.
1995	Rudolf de Crignis. Winterthur: Kunsthalle Winterthur, 1995. Text by Beat Wismer.
1991	Rudolf de Crignis. Zürich: Stiftung für konstruktive und konkrete Kunst, 1991. Texts by Margit
                Weinberg Staber and Roman Hollenstein.


GROUP EXHIBITION CATALOGS AND BOOKS

2015	Das Dreieck der Liebe. Zürich: Scheidegger & Spiess AG, 2015. Concept and editing by Michael Hiltbrunner. 
2015	Hellweg Konkret und die internationale Gegenwartskunst. Ahlen, Germany: Kunstmuseum Ahlen, 2015.
	        Texts by Gerd Bollermann, Erich Franz, Matthias Bleyl, and Burkhard Leismann and Peter M. Kleine.
2014	Neuerfindung der Fotografie. Berlin/Boston: Walter De Gruyter GmbH, 2014. Texts by Hans
                Danuser, Bettina Gockel, Reto Hänny, Philip Ursprung, Peter Zumthor, Joachim Sieber,
                Urs Stahel, Steffan Siegel, and Abigail Solomon-Godeau.
2013	serge stauffer—kunst als forschung (serge stauffer—art as research). Zürich: Scheidegger & Spiess AG, 2013.
                Concept and editing by Michael Hiltbrunner.
2011	        1997—2002: Valeria Belvedere. Milan: Valeria Belvedere, 2011. Text by Anna Caterina Fontanetto.
2008	560 Broadway–A New York Drawing Collection at Work, 1991–2006. New York: Fifth Floor Foundation,
                in association with Yale University Press, New Haven, 2008. Texts by Derrick R. Cartwright,
                James Cuno, Elizabeth Finch, Josef Helfenstein, Glenn D. Lowry, David Mickenberg, Ann Philbin,
                Earl A. Powell III, Jock Reynolds, and Townsend Wolfe.
2008	The Natalie and Irving Forman Collection: Works on Paper. Buffalo: Albright-Knox Art Gallery, 2008.
                Texts by Louis Grachos and Lilly Wei.
2007	Panza, Giuseppe. Memories of a Collector. New York: Abbeville Press, 2007.
2007	What Is a Line? New Haven: Yale University Art Gallery, 2007.
2007	Auswahl eins. Cologne: Kolumba, 2007.
2006	Suter, Peter. Bild, Bilder—Malerei in der Sammlung der Bank Sarasin / Picture, Pictures—
                Swiss Painting in the Collection of the Sarasin Bank. Muttenz/Basel: Schwabe, 2006.
                Texts by Birgit Kempker, Roman Kurzmeyer, and Hans Ulrich Reck.
2005	Gimmi, Karin. Schweizer Kunst des 20. Jahrhunderts, Die Sammlung der National Versicherung.
                Zürich: Schweizerisches Institut für Kunstwissenschaft, 2005.
2005	Stratification: An Installation of Works since 1960. Cambridge, Mass.: Busch-Reisinger Museum,
                Harvard University, 2005. Text by Celka Straughn.
2005	The Natalie and Irving Forman Collection. Buffalo: Albright-Knox Art Gallery, 2005.
                Texts by Louis Grachos and Lilly Wei.
2005	Weltinnenräume: Die Sammlung Hanck. Munich: Deutsche Gesellschaft für Christliche Kunst, 2005.
2003	Soziale Fassaden u.a.: Farbe und Oberfläche in der Gegenwartskunst. Munich: Lenbachhaus, 2003.
                Texts by Erich Franz and Susanne Gaensheimer.
2002	A szín önálló élete / Colour: A Life of Its Own. Budapest: Múcsarnok, 2002.
2001	Weinstock, Nino. Radical Painting und Präsenz der Farbe in den achtziger Jahren: Rudolf de Crignis,
                Christiane Fuchs, Marcia Hafif, Joseph Marioni, Olivier Mosset, Winston Roeth, Erik Saxon,
                Adrian Schiess, Phil Sims, Frederic Matys Thursz, Julius Tobias, Peter Tollens, Günther Umberg,
                Dieter Villinger, Ulrich Wellmann, Peter Willen. Düsseldorf: Richter Verlag, 2001.
2000	Das Gedächnis der Malerei / The Memory of Painting. Aarau, Switzerland: Aargauer Kunsthaus
                Aarau, 2000.
2000	Über die Wirklichkeit. Diözesanmuseum, Cologne, 2000.
1999	99 respektive 59. Aarau, Switzerland: Aargauer Kunsthaus Aarau, 1999. Texts by Beat Wismer and
                Stefan Kunz.
1998	Bieri, Susanne, ed. Visible. Bern: Schweizerische Nationalbibliothek, Graphische Sammlung, 1998.
1997	Regel und Abweichung. Zürich: Stiftung für konstruktive und konkrete Kunst, 1997. Texts by
                Margit Weinberg Staber and Elisabeth Grossmann.
1995	820 + 816 Zwanzig Jahre öffentliches Kunstsammeln in Stadt und Kanton Zürich.
                Zürich: Helmhaus Zürich, 1995.
1993	Das Einfache ist das Schwierige. Zug, Switzerland: Kunsthaus Zug. Text by Rainer Peikert.
1989	Two Aspects of Abstraction. New York: Swiss Institute, 1989. Text by Ziba de Weck.
1988	6. Biennale der Schweizer Kunst. Muttenz: Gesellschaft Schweizerischer Maler, Bildhauer,
                Architekten, 1988. Text by Peter Killer.
1985	Moderne Kunst—unsere Gegenwart. Pfäffikon: Seedamm Kulturzentrum, 1985. Texts by Fritz Billeter,
                Peter Killer, and Willy Rotzler.
1981	Dokumentation 7. Zürich: InK. Halle für internationale neue Kunst, 1981. Texts by Dieter Hall et al.
1980	Saus und Braus. Zürich: Städtische Galerie zum Strauhof, 1980. Text by Bice Curiger.
1977	Artistes zurichois. Geneva: Musée Rath, 1977.
1976	Schweiz—37. Biennale von Venedig. Venice, 1976.
1976	Mountain Landscapes by Swiss Artists. Charlotte, North Carolina: Mint Museum of Art, 1976.


ARTICLES

2016	MacAdam, Barbara A.. “Am I Blue? Rudolf de Crignis's Quietly Complicated Works at Betty Cuningham
                Reveal Minimalism's Deep and Expressive Potential.” Art News, November 22, 2016.
2013	Baker, Kenneth. “Rudolf de Crignis at Berkeley Art Museum.” San Francisco Chronicle,
                February 8, 2013.
2009	“Der Strich als Raum.” Neue Zürcher Zeitung, September 23, 2009.
2009	Ermen, Reinhard, Alexander Roob, Stefan Gronert, Wolfgang Hanck. “Die umfassendeste oder
                offenste Gattung der Gegenwart?” Kunstforum International, no. 196 (April–May 2009), pp. 56–71.
2009	Bennett, Steve. “‘Monochromatic’ artwork evolves from layers of color.” San Antonio Express-News,
                June 21, 2009.
2009	Fisch, Sarah. “gray and blue. period.” San Antonio Current, June 3-9, 2009.
2009	Green, Kate. “Rudolf de Crignis, Lawrency Markey.” Art Lies—A Contemporary Art Quarterly,
                no. 63 (Fall 2009), p. 101.
2008	Ermen, Reinhard. “Ein Sakralbau in den Dimensionen eines Museums: zu Eröffnung der Museums
                Kolumba des Erzbistums Köln.” Kunstforum International, no. 189, January–February 2008), pp. 342–44.
2008	MacAdam, Barbara. “Rudolf de Crignis, Peter Blum.” Art in America 107, no. 8 (September 2008), p. 150.
2008	Smith, Roberta. “Rudolf de Crignis ‘Paintings from 1992 to 2006.’” New York Times, June 13, 2008.
2007	Fronz, Peter. “All from America.” Kunstforum International, no. 188 (October–November 2007), pp. 444–47.
2007	Zinsser, John. “Constantly Blue Sky, Never a Cloud: On Rudolf de Crignis, 1948–2006.”
                Brooklyn Rail, February 2007.
2006	Hollenstein, Roman. “Nachruf in der Neuen.” Neue Zürcher Zeitung, December 28, 2006.
2006	Smith, Roberta. “Rudolf de Crignis, 58, Painter With a Distinct Abstract Style, Dies.”
                New York Times, December 30, 2006.
2005	Stahl, Enno, “Fenster zum Inneren der Farbe.” Kölner Stadt-Anzeiger, May 28, 2005.
2004	Johnson, Ken. “Rudolf de Crignis.” New York Times, January 16, 2004.
2004	MacAdam, Barbara. “Rudolf de Crignis, Peter Blum.” Art News 103, no. 4 (April 2004), pp. 114, 117.
2004	Walthemath, Joan. “Rudolf de Crignis, Paintings at Peter Blum.” Brooklyn Rail, January 2004.
2003	Meier, Philipp. “Von den Wurzeln zum wilden Crossover.” Neue Zürcher Zeitung, May 24/25, 2003.
2002	Johnson, Ken. “Three Painters.” New York Times, April 5, 2002.
2002	Koerver, Jens Peter. “Sehen heisst beteiligt sein.” Kölner Stadt-Anzeiger, June 2002.
2001	Cohen, Mark Daniel. “Changing Daylight.” Reviewny.com, New York, February 15, 2001.
2001	Kisters, Jürgen. “Blaue Stunde—Rudolf de Crignis und die Kraft der Farbe.”
                Kölner Stadt-Anzeiger, August 4–5, 2001.
2001	MacAdam, Barbara. “Monochrome/Monochrome?” Art News 100, no. 5 (May 2001), p. 190.
2001	Mitchell, Charles Dee. “Rudolf de Crignis at Peter Blum.” Art in America 89, no. 10 (October 2001), p. 161.
2000	McQuaid, Cate. “De Crignis Blues Offer a Feast for the Eyes.” The Boston Globe, January 13, 	2000.
2000	Müller, Sabine. “Joseph Marioni: ‘Painters Are Fundamentally Image Makers.’” Kunstforum International,
	        no. 149 (January–March 2000), pp. 274–85.
2000	Müller, Sabine. “Hier Licht, dort Dickicht.” Kölner Stadt-Anzeiger, April 13, 2000.
1999	Baker, Kenneth. “Stillness of Abstract Paintings Rewards Contemplation—Monochrome Rules
                at Sweetow.” San Francisco Chronicle, May 29, 1999.
1999	Bonetti, David. “Abstraction's remarkable return.” San Francisco Examiner, May 7, 1999.
1999	Gronert, Stefan. “Das Ereignis der Sichtbarkeit—Zu den Papierarbeiten von Rudolf de Crignis
                (The Event of Visibility—Works on Paper by Rudolf de Crignis).” November 1999.
1999	Imdahl, Georg. “Blau, blau, blau sind alle Bilder—Rudolf de Crignis bei Cora Hölzl in Düsseldorf.”
                Frankfurter Allgemeine Zeitung, April 17, 1999.
1999	Kirchoff, Nicole. “Wenn die Sonne ging, Konnten die Bilder wieder miteinander sprechen.”
                Westfälische Rundschau, June 14, 1999.
1999	Kokot, Sharon. “Colors Speak for Themselves.” The Columbus Dispatch, April 11, 1999.
1998	Dubach, Renate. “Bücher, in denen es fast nichts zu lesen gibt.” Berner Zeitung, April 27, 1998.
1998	Ermen, Reinhard. “Rudolf de Crignis: Colour Paintings.” Kunstforum International, no. 142
                (October–December 1998), p. 464.
1998	Imabach, Jost Martin. “Die Wucht feiner Kunst.” Der Bund, April 24, 1998.
1997	Brennan, Michael. “‘Issues of Abstraction’ at Margarete Roeder Gallery.” ArtNet, September 1997.
1997	Kuoni, Karin. “Rudolf de Crignis bei Eric Stark.” Kunst-Bulletin (Zürich), no. 4, April 1997.
1996	Lambrecht, Luk. “Blue, Blue, Nothing but Blue.” De Morgen, November 8, 1996.
1995	Gerster, Ulrich. “Hinter der Farbhaut—de Crignis in Winterthur.” Neue Zürcher Zeitung,
                November 14, 1995.
1992	Sidler, Pius. “Von Schwarzer Farbe getränkt.” Zuger Nachrichten, October 1, 1992.
1988	Hollenstein, Roman. “Rudolf de Crignis, Galerie Brigitta Rosenberg.” Neue Zürcher Zeitung,
                November 10, 1988.
1988	Wolf, Conradin. “Lichtspiel in den Strassen-schluchten.” Tages-Anzeiger (Zürich), September 24, 1988.